I've been rocking Paul's Boutique by Beastie Boys during the commute a lot lately. It's definitely one of those overlooked albums that gained more recognition after time. A lot of that attention may be due to the success of Beck's Odelay, putting the spotlight on the Dust Brothers.
One thing that keeps popping in my head as I listen to this album is how it would be virtually impossible to make this album today. They used so many samples that it would be too cost probibitive to make or they probably wouldn't be able to get permission for half of them. Luckily they were able to get away with it when they did. And lucky for us, someone has done the grunt work for us and tracked down all the samples and references throughout the album:
www.moire.com/beastieboys/samples/
This album also reminds me of a quote from Beck from an interview on Pitchfork. He was commenting on the current sound of hip hop, which he felt was affected by how sampling how become too expensive for certain endeavors. That definitely seems to be the case with the latest Beastie's album. It sound anemic compared to previous works.
Of course now that I'm writing this I'm reminded of the jackass bowling alley DJ that blew me off when I suggested that Beck was hip hop. And of course that reminds me of the dumbass at Q101 that tried to tell me that Beastie Boys aren't hip hop.
On a completely different note, I really like the last two mixes I did a couple of weeks ago. Sunday Afternoon Series: Volume 7 is more laid back than my usual House music tastes, but it's a good spring/summer lemonade sippin' mix. Volume 8 is some straight up dirty robot funk. Definitely went diggin in the crates for that one and kind of surprised myself with what came out. Listen. Enjoy.
bootytronic.com/djs/tmm/